Hi and welcome to a modern series of solutions to the earpiece questions. Ever wanted to find out about something headphone, earphone or receiver linked? Now is your opportunity. Due to the large amount of questions we’re so frequently asked, you’ll find we’ve dipped into our mailbag and selected the nine most pertinent (and most often submitted) inquiries. Enjoy.
The Business is one of the UK’s Top Suppliers of High Quality 2 way radio Headsets
EarpieceOnline, a significant supplier of walkie talkie headsets throughout the UK, has presently added a number of new products to its already awesome inventory. On top of that, the company is currently offering top prices for the walkie talkie acoustic tube earpieces for the Motorola, Kenwood, Icom, Sepura and Motorola MTH radios.
The timing of these new walkie talkie earpieces couldn’t be any better; summer season is simply around the corner and the active event period is arising quickly. Many companies need the use of a high quality walkie talkie earpiece just like the ones that were lately added by EarpieceOnline. From security firms who’re keeping track of outside concerts and other warm-weather events and law division personnel, to event and nightclub staff across the United kingdom, EarpieceOnline has developed a deserved reputation for its wide array of earpieces combined with its reasonable prices and outstanding customer service.
Some of the new products that were lately added to the inventory at EarpieceOnline include a variety of earpieces for that mobile phone style Motorola SL4000 radio. For instance, the D-Ring Covert Motorola SL4000 earpiece is a great quality and comfortable earpiece that is secure and does not infringe into the ear. That includes an in-line lapel clip PTT with microphone, a 45 cm cable, plus a hygienic multi-use earpiece, the item is ideal for people who are going to be working at events this summer time.
Another new earpiece is the Motorola 2-pin Bone Conductor Earpiece, which incorporates an over-the-ear clip to keep it safely in place. The earpiece also helps to remove outside din and sounds in order that speech shall be transmitted as openly as possible, even in noisy environments like clubs and other events.
“This is much lighter than our previous best selling bone conductor,” a commentary in the buinesses internet site noted, adding of the fact that unit also comes with a removable PTT button that runs down the arm.
Anybody who wish to learn further about EarpieceOnline is welcome to go to this company’s user-friendly web site; there, they could flick through the vast offering of 2 way radio earpieces and other accessories. Anyone that has questions about any of their earpieces is encouraged to contact the corporation directly and then a pleasant and informed staff member will be pleased to assist.
EarpieceOnline is a major provider to business and end users for walkie talkie earpieces and accessories. The company have supported the business for over 5 years and have created a reputation of quick and dependable service. For further information, please visit www.earpieceonline.co.uk
The Top Quality Digital 2 way radio will Substitute the DP3400 that is Scheduled to get Discontinued Later this Year
2 Way Radio Online, one of the UK’s top resources for 2 way radios and walkie talkies, has now added the Motorola DP2400 to its inventory. The Motorola digital radio will replace the Motorola dp3400 model, which is going to be discontinued at the end of 2013.
Over the years, 2 Way Radio Online has developed a well-deserved repute amongst its clients for having a wide selection of high-quality radios and other radio accessories, all at tremendously affordable prices. The corporation prides itself in its top notch customer support as well as outstanding inventory of products. By adding the Dp2400 to its lineup of products, 2 Way Radio Online is helping to make sure that its customers have access to the most current and state-of-the-art 2 way radios which are available. From security personnel who are required to be in contact with one another at shopping centres and parks to event planners and live performance managers, there are a wide variety of people that need to own a top-quality 2 way radios in order to do their job as well as possible.
It seems that, such a radio does exist, but it is not widely commercially obtainable. In response to Brandon Gregg, a poster on Quora.com,
“There actually are “WiFi walkie talkies” for people in the security industry. Most are connected to security officer patrol verification systems that track officer movements, check ins, status reports, etc”.
Fundamentally, WiFi, being a communications format, plainly isn’t as dependable in a disaster as a good old-fashioned two way radio or walkie talkie. Actually, Walkie Talkie’s (like the Motorola DP3400 series), are in general practical, reliable, high performance and cost effective. Additionally they work right away, with no boot up or load time.
Editorial – The rest of the globe has seen 4G for a time now, inside the United kingdom we are just commencing to gain the benefits, typically centred just about bigger towns and cities at the moment, but we’re observing a rise with this technology, with loads of the latest smart phones able to use the tremendously fast comms. The Chinese team Huawei have experimented with 4G for High Speed Railway Communications, with the view to using this in the future, read the total content below..
The other week celebrated the 40th celebration for the world’s 1st cell phone call. Predictably, it’s a Motorola engineer who completed the historic phone call and, much more predictably, the phone call was made on a Motorola phone (or, in this case, prototype telephone). If you are taking one thing from this introductory section, it needs to be this: Motorola are boss, and when it relates to comms.
Fundamentally, broadcasting static during a call is a sign of the fact that signal strength is degrading (or that there is no sound coming through whatsoever). When signal strength degrades amply, the static sound emerges.
When there’s no communication coming through, it’s a complete different narrative. A two way radio has what is acknowledged as a ‘squelch’ monitor circuit that keeps tabs on the signal power. The squelch circuit will mute the amplifier as soon as it realizes that there’s no signal coming through into the radio. It’s, fundamentally, the exact same function as your Television has as soon as it cuts off an unavailable station after a set time. Though, in the moments before your two way radio ‘squelches’ the signal, you’ll hear static, or ‘white noise’ as it’s also referred to as.
Hi and welcome to the modern group of answers to the headphone questions. Ever desired to find out about something headphone, earpiece or receiver linked? Now is your opportunity. Due to a great amount of questions we’re so often asked, you’ll find we’ve reached into our mailbag and selected the nine most important (and most frequently submitted) inquiries. Enjoy.
We at this site spend a lot of time reviewing the best and most well designed radios on offer today. Some of these products are specially made for specific functions and can fetch intimidating prices for smaller companies that nonetheless are eager to compete. With that in mind, we thought we’d take a quick look at one of Motorola’s cheaper models and see how it compares with the big boys.
With a utilitarian, somewhat pedestrian design, the Motorola CP040 is a million miles removed from the sleek, sexy contours of the MotoTRBO SL4000, or even the rugged, hardwearing face of the Motorola DP3400. The design is perfunctory, modest and unambitious, but looks can be deceiving.
A sturdy, capable model, this is a great choice for warehousing and agriculture (as pointed out on the Motorola site).
It only makes use of four channels, but is incredibly easy to use as a result, very much a ‘press and play’ radio. It also keeps contact over a surprisingly large range.
19 hours of battery life shows good durability (when in battery saving ‘low’ mode, anyway), while the ability to switch between broadcasting to multiple users or a single one is a very welcome function indeed.
Although clearly designed as a budget model, the CP040 has a lot of functions that we have come to expect from far-more pricey radios.
Believe it or not (and we even had to read it twice!), the CP040 is available at less than £100. OK, at £99 it’s not a lot less, but it still beats the better models by half (and then some). Indeed, there is a feeling that Motorola could actually charge a little bit more for this device and easily get away with it.
Making great use of Motorola’s much-vaunted ‘X-Pand’ technology, the CP040 provides excellent audio quality with every message, so there’s no real loss in sound quality (unless you obsessively compare the CP040 with the really high-end models and we aren’t going to do that here).
The belt clip (an optional extra) holds the radio in well and everything is generally sturdy and nicely made.
The CP040 may be lacking some of the more fancy features and extras that some of its peers can boast about, but as a standard, basic two-way radio, it is incredibly difficult to find fault with it.
The CP040 has been designed with mid level business use in mind, yes, it lacks the ‘boys own adventure’ ruggedness of Motorola’s outdoor models or the discreet, professional modernity of their urban, security orientated range, but it makes up for this in spades with a solid, reliable performance that won’t break the bank.
Perhaps it’s not the best product of its kind that the market can offer, but it is a very long way from being the worst and, in addition, it genuinely offers excellent value for money.
Customers may want something a little bit tougher and more overtly safety-conscious for use on building sites or battlegrounds. Perhaps they’ll also want something a little more slender and/or trendy for customer interaction, but otherwise, the CP040 suits its design-niche perfectly.
This is a great little device for basic business radio use and it’s hard to imagine it letting anybody down. Strong, reliable and high performance, the CP040 combines a thoroughly satisfying user experience with a pleasantly manageable price tag to create a wholly likeable (not to mention highly recommendable) product.
For more information on the Motorola Cp040 radio visit 2wayradionline.co.uk
All walkie talkie users would like their headset to be moulded to their ear, precise sound, flawlessly fixed to the ear. This comes at a cost and is generally saved for musicians and celebrities. This short article previews a US service for moulded earplugs to fit two way radio earpieces, noise reducing headphones or audio feeds. If you are taken with custom ear moulds there are several organisations out there, which can make a mould of your ear and return it to you fit on to the radio which are required it for.
First things first: This review is for a pair of $999 (direct) custom-molded earphones aimed squarely at musicians. Unlike most custom pairs in this pricing stratosphere, the Logitech Ultimate Ears Vocal Reference Monitors, as the name suggest, are designed with vocalists in mind. The lowest and highest frequencies are decreased drastically, so that the focus is squarely on the mid-range frequencies that vocals inhabit. As you’d expect from a high-end earphone pair that’s custom-molded to your ear canals, there’s no distortion to speak of, but it bears repeating: The UE Vocal Reference Monitorsare a fantastic musical tool, but not designed for typical music listening.
Visually, there are only so many directions you can go with custom in-canal earphones. When they’re in your ears, the outside, flat panel will make it look as if your ears have been filled with a plastic substance. The earpieces themselves are offered in a wide variety of transparent and solid colors. It’s also possible to customize your earpieces with artwork, for a higher price.
As for fit, if you’ve never worn a pair of custom-moulded earphones, you’re in for a treat. Not only do they fit comfortably and securely for hours on end, they also block out ambient noise more effectively than even active noise cancelling headphones can.
A triple-braided, removable audio cable connects to each earpiece, terminating in a 3.5mm connection. There are no inline remotes or microphones to speak of—these earphones are intended for onstage and in-studio use. A gold, screw-on ¼-inch adapter ships with the Vocal Reference Monitors, as well as an earwax cleaning tool and a very sturdy hard case with your name engraved on it.
The fit of the earpieces will have everything to do with the audiologist you choose. The impression process is safe, quick, painless (though it can be uncomfortable for some), and, typically, the audiologist will then send your impressions to Logitech. Turnaround time will vary, but my earphones took about three weeks to arrive after my appointment. The cost for these appointments will also vary, especially if you have medical insurance that might cover your visit, but expect to add on roughly $50 to the price of the earphones.
Discussing the earphones from an audio standpoint is tricky. Someone who typically likes rich or heavy low-end will hate them, but that’s not the point. The earphones act almost like a filter for singers, turning down lower and higher frequencies that can cause listening fatigue over time and compete with the midrange frequencies the vocalist needs to concentrate on.
From a performance standpoint, the Vocal Reference Monitors do not distort on tracks with seriously deep bass, even at maximum, painfully loud volumes. So, these earphones will always deliver clean audio, but remarking upon their sound signature, beyond saying that they’re quite light on bass or sparkling, bright highs, is kind of pointless.
Instead of discussing our typical testing suite, I decided to test the earphones in my home recording studio, laying down some vocals over instrumental tracks I had been recording. Lucky for you, you don’t have to hear the tracks or my vocals, but I tested using some studio-level gear (a Lomo 19A-9 microphone into an Ampex 351 mic pre, with some very minimal compression via a Shadow Hills Optograph and into Pro Tools, for the recording-gear geeks who want to know the signal chain). So, hopefully, this can at least be seen as comparable with a studio or live set-up, though the gear is far less similar to typical live gear, and it’s safe to say my signal chain is not transparent. But that’s not the point—the point is: Did the tuning of the Vocal Reference Monitors make it easier for me to lay down vocals?
One of the more difficult aspects of recording or performing vocals while wearing in-canal monitors is not being able to hear your actual voice much, if at all—you hear only what’s coming through the earpiece itself, really, and it can be disconcerting at first. It’s common to see a vocalist in studio, singing with one headphone ear cup off—many vocalists prefer to hear a blend of the mix and their actual voice occurring in a real acoustic space.
This fact, combined with the very premise of the Vocal Reference Monitors—that they rid the vocalist of unnecessary frequencies—had me approaching testing with a healthy amount of skepticism. A common studio adage is that most musicians want to hear more of themselves in their monitors; the best musicians ask to hear more of the other musicians. Granted, vocals are different because the sound is literally coming from within, but I wasn’t sure, prior to testing, if I agreed with the concept that hearing less of the bass and higher frequencies would necessarily help a vocalist perform better.
In practice, I can say the Vocal Reference Monitors perform as advertised—I felt that my vocals were almost boosted in the mix, although this was not the case. Instead, many of the frequencies they normally compete with were simply not as loud, and thus my vocals, while recording, seemed louder to me. Admittedly, my first reaction was to turn my vocal fader down, so that I felt that the vocals blended a bit more with the overall mix. This was mainly to help my own performance (trust me, I need tons of help).
The pleasant surprise upon turning the fader down? I could still hear my vocals crisply and clearly within the mix—the volume had been lowered, but they still stood out and were intelligible and clear. The lower-mids, and lows, and well as high frequencies, that might have begun to push them down in the mix at that level were not really part of the equation. Basically, no matter whether I had the vocal fader high in the mix, or relatively even with the rest of the tracks, I could always hear my part, and the vocals always sounded crisp.
Again, the earphones were used in a studio, not during a live performance onstage, so the testing does have its limitations. But the earphones block out so much outside noise, it seems likely that what you hear through them will not be competing much with any PA systems, even—they’re as effective as earplugs, if not more so. The mic and mic pre I used are not likely to be found in any live setting, but the point is the Vocal Reference Monitor helped the vocals stand out against a busy mix by lowering the frequency ranges that tend to make them more difficult to hear. It’s hard to see how this would not translate to better clarity in a live scenario as well.
Some vocalists may still prefer to have the full mix in their ears when performing, or having the engineer customize their mix by carving out the ranges that bug them, but the UE Vocal Reference Monitors do a solid job of bringing vocal clarity to the forefront on its own. Personal monitoring preference in both live and studio scenarios will dictate whether this is a necessary tool or not, but these custom monitors inarguably perform a task that many vocalists will find useful.
Comparing the Vocal Reference Monitors with regular stereo earphones seems a bit pointless, given their unique purpose, although we have reviewed other custom in-ear pairs in the past. Some favorites include the $1,150 JH Audio JH16 Pro, brought to you by Jerry Harvey, the founder of Ultimate Ears before it was sold to Logitech, and the $1,350 Logitech UE 18 Pro, another solid option with a far beefier sound signature than the Vocal Reference Monitor. If these are way out of your range, and you’re looking for a simple, effective pair of home studio headphones, the circumaural (over-ear) Sennheiser HD 280 Pro$99.95 at Sweetwater may not be a custom-molded in-canal earphone pair, but it’s comfortable, accurate, and powerful—three necessary characteristics for studio gear.
For the $1,000 (and audiologist visit), the Logitech Ultimate Ears Vocal Reference Monitors will prove an effective tool for vocalists who often struggle to hear their own performance in monitors over booming bass or crashing cymbals. If this sounds like you, the UE Vocal Reference Monitor may just be the solution you’re looking for.